Back in Argentina, Piazzolla formed his Orquesta de Cuerdas (String Orchestra), which performed with the singer Jorge Sobral [es], and his Octeto Buenos Aires in 1955. With two bandoneons (Piazzolla and Leopoldo Federico), two violins (Enrique Mario Francini and Hugo Baralis [es]), double bass (Juan Vasallo), cello (José Bragato), piano (Atilio Stampone), and an electric guitar (Horacio Malvicino), his Octeto effectively broke the mould of the traditional orquesta típica and created a new sound akin to chamber music, without a singer and with jazz-like improvisations. This was to be a turning point in his career and a watershed in the history of tango. Piazzolla's new approach to the tango, nuevo tango, made him a controversial figure in his native land both musically and politically. However, his music gained acceptance in Europe and North America, and his reworking of the tango was embraced by some liberal segments of Argentine society, who were pushing for political changes in parallel to his musical revolution.
Astor Piazzolla Cafe 1930 Violin Piano Pdf
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Back in Buenos Aires later that year he put together the first, and perhaps most famous, of his quintets, the first Quinteto, initially comprising bandoneon (Piazzolla), piano (Jaime Gosis), violin (Simón Bajour), electric guitar (Horacio Malvicino ) and double bass (Kicho Díaz). Of the many ensembles that Piazzolla set up during his career, it was the quintet formation which best expressed his approach to tango.
In 1975 he set up his Electronic Octet, an octet made up of bandoneon, electric piano and/or acoustic piano, organ, guitar, electric bass, drums, synthesizer and violin, which was later replaced by a flute or saxophone. Later that year Aníbal Troilo died and Piazzolla composed the Suite Troileana [es] in his memory, a work in four parts, which he recorded with the Conjunto Electronico. At this time Piazzolla started a collaboration with the singer José Ángel Trelles, with whom he made a number of recordings.
Astor Piazzolla - Tango cafe 1930 Cello Sheet Music Advertisement (adsbygoogle = window.adsbygoogle []).push(); Advertisement Please right click on the download button and select "Save Target As" or "Save Link As" to download You can share this sheet on your Twitter or Facebook account to let your friends know too! Tweet (528.5KB)
Astor Piazzolla - Tango cafe 1930 Cello Sheet Music Advertisement (adsbygoogle = window.adsbygoogle []).push(); Advertisement Please right click on the download button and select "Save Target As" or "Save Link As" to download You can share this sheet on your Twitter or Facebook account to let your friends know too! Tweet (172.7KB)
Bordel 1900: The tango was born in Buenos-Aires in 1882. It was first played on the guitar and the flute. The piano was added later, followed by the bandoneon. It is music full of charm and vivacity, that gives the impression of the good spirits and volubility of the French, Italian and Spanish women who lived in these brothels, enticing the policemen, thieves, sailors and hoodlums who visited them. The tango is cheerful. Cafe 1930: This is a different era of the tango. People no longer danced to it, as in the 1900s and became satisfied by just listening, which allowed for a more musical and romantic evolution. This was a radical transformation. The tango became slower, more melancholic, and incorporated new harmonies. Tango orchestras were made up of two violins, two bandoneons, a piano and a double bass. Sometimes it was sung. Night-club 1960: A new evolution was witnessed during this period, in which international exchange increased considerably. Brazil and Argentina met in Buenos-Aires - bossa nova and the new tango were "same battle". The public flocked to the nightclubs to listen earnestly to the new tango - a revolution and profound disruption of certain forms of old tango. Concert d'aujourd'hui: Certain concepts join tango music with contemporary music, such as recollections by Bartok, Stravinsky and several others on a tango base. This is today's tango, the tango of the future... 2ff7e9595c
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